Archive for March, 2010

Grandma Dorothy

Wednesday, March 31st, 2010

My Grandma Dorothy passed away Monday night at 1:35 AM. Today was the funeral, and I was asked to speak. Below is my speech from this afternoon.

It’s hard to put into words what I’ve learned from Grandma Dorothy. Her sense of humor, strength and abundant love for everyone made her the support that held all of us together. I am honored to be able to come up today and speak on behalf of the Eiken family about the lessons that this amazing woman has taught us.

When my dad was fourteen, she and Grandpa Kurt took him in as one of their own and raised him into the man he is today. Even my mom reveres her as her own mother. So it was only natural that, despite technically being my aunt, Grandma Dorothy is and has always been my grandmother. And even though we are an adopted family, I never felt for one moment that we weren’t meant to be this way, this close, and this loved by her. We have been blessed.

I have a variety of memories from Grandma Dorothy. She was very much a people person, and always on the go, active in church and many organizations. Yet she always had time for family and friends. Every Friday, she would come over for Bingo Fridays. We would play for hours and talk about the little things.

Her house was always filled with crafts. Grandma dorothy loved the arts, and I admired what she did so much so that I chose the arts as my own career. One of the items I remember the most were her crying dolls. These pouty little stuffed dolls would constantly be mistaken for real children playing hide-and-go-seek. What I didn’t know when I first saw her pouting dolls was just how important they were.

When I was fifteen, I had just started dating a boy in my chemistry class. His mother invited me over for dinner and, there in their living room, was a pouting doll. I knew it had to be Grandma Dorothy’s, and so I inquired about it. Come to find out that my boyfriend’s parents lived just down the road from “Dotty,” and had rescued her two Shih Tzus once when they had somehow gotten out, one of which would be my dog’s mother. As a thank you, Grandma Dorothy gave them one of these pouting dolls. I took this as a symbol.

That boyfriend is now my husband. I think she knew.

She was always the first one to tell a joke and she always wanted to smile. I remember, despite her tribulations with cancer, rounding the corner into the kitchen and Grandma Dorothy lifting off her wig. It scared me to pieces! But it made her laugh. And to me, laughing through an illness like that is what pulled her through. It made her stronger, and it made us stronger. She laughed until the very end.

For me, though she may not physically be here anymore, Grandma Dorothy is always with me, showing me the right path as she did in life. She’s in my artwork and my marriage. I see her in my family and how we love one another. I admire her strength and sense of humor, and I aspire to, one day, have these same qualities.

Grandma Dorothy, we will always love you.

2D Art Dump

Wednesday, March 24th, 2010

Welcome to the new MDArtist.com!

I finally finished the huge overhaul! I combined this journal, formerly known as paper-roses, to my primary website, brushtocanvas.net and created a new domain to house them: www.mdartist.com. Please update your bookmarks!

The design of the website was based off of my business card.

Branding goes a long way, yes?

Anyway, I finally got back all of my 2D projects from this semester and I thought I’d share them with you! We’ve been focusing on negative space for nearly the entire semester by cutting black and white construction paper. Not going to lie - it was a little boring. But I came up with some interesting designs!


The first assignment of the class: create a letter that touches all four sides of the paper.


Shape created out of the positive (black) shapes of the B.


Shape created out of the negative (white) shapes of the B.


Stable composition using circles, stylized C’s and lines.


Moving composition using stylized C’s, stars and lines.


Emphasized composition using B’s, lines and squares.


Designed from four intersecting circles and their interactions.


Design from four of the above shape intersecting.


Tessellation project. I used Riley from the children’s book I’m illustrating for this.

I’ve also been taking a 3D sculpture course. I’m not much into abstract, but I’ve been trying! Here are some pieces from that course:


3×5 Notebook Card Sculpture


Another view of it.


Cardboard sculpture roughly 3 feet tall.

We really have only had one or two figure drawing classes since midterm. Here’s a piece from that:

And finally, some stuff I’ve been working on in my own time:


AWOW group (left to right: Manu, Oriella, Asher, Serafina, Casmaron, Damien).

All of these sketches are extracted from their turnaround sketches. When I can find a moment, all of my AWOW characters should have turnarounds plus a solid group picture!


My husband in an ancient Japanese art style.

I want to do one of these for both myself and our roommate as well. I think they’re hilarious and they go very well with our Asian decor.


Here’s mine unfinished.

Well that should be everything! Massive art dump, huh. Take care!

Ori, Cas and Figure Drawing

Thursday, March 4th, 2010

I suppose I can officially announce that I’ve been promoted to Supervisor of Caricatures with Kamans WOF. Not a total surprise, but I’m excited. I just want to make things easier on my manager Mike Worley. He’s got his hands full this year.

Nonetheless, today was my last day of school before Spring Break. Oh thank goodness, break is here! I’ve been kicking myself with commissions, work and school. Today, while waiting on my last class and knowing that I had everything done, I finally relaxed enough to sketch. I came up with Oriella and Casmaron, two of my original characters from A World Once Was


Oriella Aurelia


Casmaron Rayne

Also, here is one of my more lengthy figure drawing poses:


This one got matted.
18×24″ matted up to a 22×28″


Small detail. My camera failed at a good picture of this.

Donna is pushing me to define my contours more. I completely understand where she’s coming from, but at the same time, I like that soft, ethereal feel that I just can’t achieve with any of my commissions or caricatures. It’s something that you really only can get when working on your own in charcoal. Still, I think I’ll go back to what I was doing at UMKC with figure drawings. I would take old drawings on good paper that I didn’t like and use acrylic paint and gesso to paint over them while taped down. I’d loosely brush on the paint to leave all the ridges and brushy strokes in the background. Once dry, I’d pull them up and use them for longer figure drawings (at least 15 mins+) with charcoal and chalk. They created some wonderful works, including one of my absolute favs:

I’ve been hesitant until now to venture outside of newsprint or drawing paper and willow charcoal because I wasn’t sure we were allowed. Now that I’ve spoken with Donna, I feel like I’ll be settling back into figure drawing, just like old times.

Plus, I’ve been talking with the model of the figure drawing just above, Kent and found out that he’ll be modeling for my class at Park starting after spring break. It’ll be just like old times!

Actually, if you wonder around his gallery, you’ll run into a caricature I did of him at UMKC. Fun times.

Alright, that’s all for me here. Take care and see you all later!